Last updated 6/2022
MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz
Language: English | Size: 6.24 GB | Duration: 4h 58m
Learn How to draw amazing drawings from beginner to advanced, with graphite pencil, and white pastel: Portrait Drawing
What you'll learn
??? How to draw realistic portraits with graphite pencil from beginner to advanced just like Rembrandt did during the Baroque era.
?✍ How to draw objects from geometric shapes, using an efficient construction scheme to be able to draw anything around you.
⚜ Learn the Angle Tecnique and its relationship with ranges and shapes from beginner to advanced.
?? The Life of Rembrandt and his legacy. The Master of Portrait & Drawing
? How to use face constructive schemes to stimulate your imagination to get an appropriate technique in the elaboration of a Drawing..
? Two final live portraits (one male and one female), using graphite pencils, pastel chalks on a luxurious old paper.
?✍How to draw a graphite pencil drawing from a static image.
?You will learn how to use paper color as a mean for the construction of a drawing.
Requirements
The only requirement is to be passionate about drawing
Description
Bey Atelier in Baroque Drawing is an artistic experience that will bring you back to the 17th century to learn - together with Baudilio Bey- the secrets of drawing in the greatest era of art. Step by step you will unveil the power of angle tecnique and its relationship with geometric shapes, from beginner to advanced. A technique used by the baroque masters (Rembrandt, Caravaggio, and Claudio de Lorraine) to draw anything around to perfection. This experience will allow you not only to learn about this extraordinary drawing technique, but also how important is telling stories through hatching, shadows and strokes, to really turn your drawing tino a masterpiece. Additionally, this master course in drawing is a unique learning storytelled experience. The main goal is immersing you in a classical environment of 17th century so you can make a protagonist of the baroque itself. In the first volume course - Bey Atelier in Baroque drawing: The Portrait - you will use Rembrandt's life and legacy as a mean of inspiration to take his wisdom as a creative tool for portraiture. You will learn the fundamentals of drawing to be able to draw anything from reality or memory. A volume focused on how to draw a face in a technical-artistic way with live models, graphite pencils and other drawing materials such as pastel chalks and dry pastels to capture the secrets behind human eyes. Learn Angles Tecnique and its relationship with ranges and shapes.Learn how to build objects from general shapes, having an efficient construction scheme. You will know the origin of the baroque movement. Learn the life of Rembrandt and his legacy, the great master. Learn how to use face constructive schemes to stimulate your imagination thus have an appropriate technique for portraiture.Together with Baudilio Bey, you will build two final live portraits (one male and one female), using mainly graphite pencils, pastel chalks on a luxurious old paper. You will make a graphite pencil portrait from a static image. You will learn how to use paper color as a mean for the construction of a drawing.
Overview
Section 1: BEY ATELIER IN BAROQUE DRAWING - VOLUME 1
Lecture 1 BEY ATELIER IN BAROQUE DRAWING
Lecture 2 VOLUME 1
Section 2: THE BEGINNING
Lecture 3 The First Steps: The Training - First Exercise
Lecture 4 Materials & Tools
Lecture 5 The First Steps: Second Exercise
Lecture 6 The Perspective & Drawing Grid (Special Class of the Third Volume in Advance).
Section 3: THE BAROQUE
Lecture 7 THE BAROQUE
Section 4: ANGLES GENERAL TECNIQUE - BEY ATELIER
Lecture 8 CHAIR EXERCISE
Lecture 9 PAPER EXERCISE
Section 5: REMBRANDT
Lecture 10 Rembrandt Biography
Section 6: FACE THEORY & SELF-PORTRAIT
Lecture 11 GENERAL SCHEME
Lecture 12 HUMAN VISION - FIRST EXERCISE
Lecture 13 FACE'S FEATURES
Lecture 14 Construction Process
Lecture 15 The Hatching
Lecture 16 Shadows Part 1
Lecture 17 Shadows Part 2
Section 7: DOROTHEA
Lecture 18 Construction Process Part 1
Lecture 19 Construction Process Part 2
Lecture 20 Construction process Part 3 and first shadows
Lecture 21 Construction Process Part 4 and Breast
Lecture 22 SHADOWS & FABRIC PART 1
Lecture 23 SHADOWS & FABRIC PART 2
Lecture 24 SHADOWS & FABRIC PART 3
Section 8: BEY ATELIER BAROQUE DRAWING CINEMATIC INTERLUDE
Lecture 25 BEY ATELIER BAROQUE DRAWING CINEMATIC INTERLUDE
Section 9: ENDING
Lecture 26 ENDING
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