Published 4/2023
MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz
Language: English | Size: 5.53 GB | Duration: 4h 36m
mime, pantomime, techniques, personalities, history
Free Download What you'll learn
Discover the vast array of things called Mime and Pantomime
Explore video and techniques by legendary performers through proprietary video
Learn the fascinating history of performances in the mid 20th Century
Complete the course and discover much more in various performance modes.
See proprietary video of legendary physical theatre performances as part of this educational series, designed to improve the cultural understanding of this art.
Requirements
No previous experience needed, Just interest in learning and applying materials
Viewing excellent proprietary video of legendary performers who were at the top of their profession in the mid-20th century.
Discover cultural applications of your area as it relates to performance techniques
Description
Dr. Lou Campbell, founding director of the 1974 Institute and Festival, provides scholarly insights to each of their works and amplifies what is foundational to modern dance, acting, clown and theatre.Starting with Etienne Decroux and Jacques LeCoq, the foundations of the art form were laid. Marceau's technique is Style Mime. Mamako Yoneyama, a student of Marceau, radically diverges into Zen Meditation Mime. Shozo Sato provides Japanese elements of Kabuki and Noh. The Mummenschanz were students of LeCoq but emerged with highly creative performance forms called Mask Play. Yet, Carlo Mazzone-Clementi, a colleague of LeCoq brought an insightful performance of the Renaissance Commedia dell'Arte with traditional masks. William Burdick posed the issue of mask in classical ballet, while Hovey Burgess offers circus technique as a direct extension of mime and pantomime.Those interested in mime, pantomime, modern dance, clown, eccentric arts, acting, gymnastics and opera will enjoy this course. This material is provided as a diverse educational medium for those subscribing to the course. A follow up course will address basic mime techniques along with a thorough introduction of anatomy, physiology and biomechanics, so essential for a complete understanding of the body as a performing instrument. This medium is called Physical Theatre.
Overview
Section 1: Mime and Pantomine techniques and distinctions derived from the 20th Century
Lecture 1 Introduction
Lecture 2 The Two Major Course Divisions
Section 2: History - Presentation as Professor of Humanties of the Year 2007
Lecture 3 Historical Overview: What you will find in this section
Lecture 4 Origins & Definitions of Mime
Lecture 5 Charlie Chaplain
Lecture 6 Jaques Copeau & Charles Dullin
Lecture 7 Etienne Decroux
Lecture 8 Jean-Louis Barrault
Lecture 9 Jean-Louis Barrault - Example & Extended example
Lecture 10 Jaques LeCoq
Lecture 11 Marcel Marceau
Lecture 12 Charles Weidman
Lecture 13 Geoffrey Buckley
Lecture 14 Ladislav Fialka
Lecture 15 Buckley & Fialka Example by The Joshua Squad
Lecture 16 Ctibor Turba
Lecture 17 Adrian Pecknold
Lecture 18 Peter Franklin-White
Lecture 19 Lottie Goslar
Lecture 20 Hovey Burgess
Lecture 21 Avner Eisenberg
Lecture 22 Mamako
Lecture 23 Mamako: The Pond
Lecture 24 Mamako: The Sea
Lecture 25 Mamako: Rush Hour in Tokyo
Lecture 26 Shozo Sato
Lecture 27 Robert Shields and Lorene Yarnell + Dr Campbell's Encounter Mime
Lecture 28 Mummenshanz
Lecture 29 Mummenshanz: Clay Masks
Lecture 30 Mummenshanz: Extended - Mask Play Examples with The Joshua Squad
Lecture 31 Dimitri
Lecture 32 Dimitri: Extended
Lecture 33 Dimitri: Le Porteur Part 1
Lecture 34 Dimitri: Le Porteur Part 2
Lecture 35 Carlo Mazzone-Clementi Commedia mask specialist of Italian tradition
Lecture 36 Jewel Walker
Lecture 37 Tomas and Julie Pushkas
Lecture 38 James Donlon
Lecture 39 Conclusion
Section 3: Exclusive Interviews
Lecture 40 Introduction to Style Mime: Marceau, Decroux, LeCoq
Lecture 41 Etienne Decroux Intervew Details
Lecture 42 Etienne Decroux - Interview for 1974 Mime Festival
Lecture 43 Etienne Decroux - Original French Audio
Lecture 44 Lecoq Interview Details
Lecture 45 Jaques LeCoq - Forum Interview at 1974 Mime Festival
Section 4: Movement and Space
Lecture 46 Mime Definition
Lecture 47 Personal and Social Distances
Lecture 48 Tri-Sphere of the Proxemic Bubble by Jonathan Lowery
Section 5: The Fundamental Constructs of Mime
Lecture 49 Starting with Gesture
Lecture 50 The 5 Components of the Gesture
Lecture 51 Components of the Gesture: 1. Focus
Lecture 52 Components of the Gesture: 2. Reach
Lecture 53 Components of the Gesture: 3. Take
Lecture 54 Components of the Gesture: 4. Accent
Lecture 55 Components of the Gesture: 5. Release
Lecture 56 The 4 Fundamental Elements of Mime
Lecture 57 Fundamental Elemnts of Mime: 1. Fixed Point
Lecture 58 Fundamental Elements of Mime: 2. Line
Lecture 59 Fundamental Elements of Mime: 3. Dynamic Line
Lecture 60 Fundamental Elements of Mime: 4. Space and Matter Manipulation
Section 6: Conclusion
Lecture 61 Thank you and Further Information
From the undisputed authority on Mime and Pantomime, definitions and techniques applicable to any aged group.,An introduction to selected performing artists whose media was considered Mime or Pantomime.,Proprietary video expositing the various techniques of artists who contributed to the field of study,Entertaining videos designed to amplify your understanding of these performers
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