Creating a Gundam Character in Maya 2022
Published 7/2024
Created by Digital Saucer Studios
MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz, 2 Ch
Genre: eLearning | Language: English | Duration: 131 Lectures ( 36h 35m ) | Size: 28 GB
Master Professional Modelling Techniques to Create a Space Gundam Character in Maya
What you'll learn:
You need to know some basic Maya skills
This courtse is for anyone who is willing to learn how to create characters in Maya
They will learn Maya's modelling tools
They will learn how to create 3D models
Requirements:
You should know some basic skills in Maya.
Description:
This one's epic, folks! Over 30 hours of pure 3D awesomeness! I will take you on your amazing 3D journey on how to create a Gundam robot character from those classic Japanese cartoon shows.You will learn how to model the head, the helmet and all the details on it, then the body, the arms, the legs -- in fact the entire thing! And then how to model the weapons.You will master the most common modelling tools. How to use the various options, and shortcuts. You will master the Multi-Cut Tool, the Bevel Tool, the Mirror Tool, and how to master component selections.You will learn all about topology and resolution. What makes great topology, and how to fix bad topology. You will earn how to create quadrangulated geometry - that is, 4-sided geometry.You will learn how to work in low resolution level, and how to increase the geometry to high resolution. You will understand how adding holding edge loops creates sharper edges for your models. You will learn how to delete history, how to center the pivot, and how to freeze transformations -- very important aspects in 3D modelling.Finally, you will get to pose the character to make him look interesting and exciting. A big part of modelling is presentation, so therefore it is very important that your model looks like it has personality.
Who this course is for:
My course is for those who are interested in modelling in 3D.
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oing project planning and creating proper blockout scenes.Creating assets that make extensive use of Nanite.Creating an advanced shader that allows for highly optimized textures.Creating tileable materials using both Zbrush and Substance 3D Designer.Creating unique textures using Substance 3D Painter.Doing level art, lighting and post effects in unreal engine 5.Using advanced Displacement & Scattering techniques to add real displaced textures, moss & leaves.Creating high quality foliage assets.Various techniques on creating an optimized scene.And so much more.The general takeaway of this course is that at the end, you will have the knowledge on how to create exactly what you see in the images, and you can apply this knowledge to almost any type of environment.43+ HOURS!This course contains over 43+ hours of content You can follow along with every single step This course has been done 100% in real-time with narration except for a few timelapses for very repetitive tasks.This course has been divided up into easy-to-understand chapters. We will start the course off by planning our environment and creating our blockout assets.During this time we will already design our entire level layout.After this we will first create all of our tillable materials using Substance 3D Designer.Then we will focus on taking our assets to final, in these stages you will learn everything from modeling in 3ds max (you are able to use your own preferred modeling software), sculpting in Zbrush, UV-Unwrapping in RizomUV and texturing in Substance 3D Painter.We will then focus on getting all of our final models and textures in Unreal Engine and implementing them in our scene.We will also be creating an advanced material that allows us to basically render our textures at extremely low resolutions while keeping a high res feel for great performance.After this is done, we will start focusing on doing our first lighting pass, creating some additional assets and taking our scene closer to final.We will then go over some advanced scattering techniques which along with the power of nanite allows us to render actual geometry moss and leaves.Finally, we will finish up by creating some simple foliage, polishing up our scene and optimizing our scene further, take some final screenshots and then this environment is completed.SKILL LEVELThis game art tutorial is considered a more advanced course and we require students to have familiarity with a 3d Modeling tool, Zbrush and Unreal Engine 5 Everything in this tutorial will be explained in detail but we will not be going over the basics of the software mentioned below.TOOLS USEDUnreal Engine 53DS Max (you are able to use other modeling software)SpeedTreeRizomUVMarmoset Toolbag 4Substance DesignerSubstance PainterZbrushGraphNPlease note that most techniques used are universal, so they can be replicated in almost any 3D software like Maya & Blender.YOUR INSTRUCTOREmiel Sleegers is a lead environment artist and owner of FastTrack Tutorials. He s worked on games like The Division 2 + DLC at Ubisoft, Forza Horizon 3 at Playground Games, and as a Freelancer on multiple projects as an Environment Artist and Material Artist.
