• Regeln für den Video-Bereich:

    In den Börsenbereich gehören nur Angebote die bereits den Allgemeinen Regeln entsprechen.

    Einteilung

    - Folgende Formate gehören in die angegeben Bereiche:
    - Filme: Encodierte Filme von BluRay, DVD, R5, TV, Screener sowie Telesyncs im Format DivX, XviD und x264.
    - DVD: Filme im Format DVD5, DVD9 und HD2DVD.
    - HD: Encodierte Filme mit der Auflösung 720p oder darüber von BluRay, DVD, R5, TV, Screener sowie Telesyncs im Format x264.
    - 3D: Encodierte Filme von BluRay, die in einem 3D Format vorliegen. Dies gilt auch für Dokus, Animation usw.
    - Serien: Cartoon/Zeichentrick, Anime, Tutorials, Dokumentationen, Konzerte/Musik, Sonstiges sind demnach in die entsprechenden Bereiche einzuordnen, auch wenn sie beispielsweise im High Definition-Format oder als DVD5/DVD9/HD2DVD vorliegen. Ausnahme 3D.
    - Bereich Englisch: Englische Releases gehören immer in diesen Bereich.
    - Bereich Talk: Der Bereich, in dem über die Releases diskutiert werden kann, darf, soll und erwünscht ist.


    Angebot/Beitrag erstellen

    - Ein Beitrag darf erst dann erstellt werden, wenn der Upload bei mindestens einem OCH komplett ist. Platzhalter sind untersagt.
    - Bei einem Scenerelease hat der Threadtitel ausschließlich aus dem originalen, unveränderten Releasenamen zu bestehen. Es dürfen keine Veränderungen wie z.B. Sterne, kleine Buchstaben o.ä. vorgenommen werden. Ausnahme Serienbörse:
    - Bei einem Sammelthread für eine Staffel entfällt aus dem Releasename natürlich der Name der Folge. Beispiel: Die Simpsons S21 German DVDRip XviD - ITG
    - Dementsprechend sind also u.a. verboten: Erweiterungen wie "Tipp", "empfehlenswert", "only", "reup", usw. / jegliche andere Zusatzinformation oder Ergänzung, welche nicht in obiger Beschreibung zu finden ist.

    Aufbau des Angebots und Threadtitel

    Der Titel nach folgendem Muster erstellt zu werden. <Name> [3D] [Staffel] [German] <Jahr> <Tonspur> [DL] [Auflösung] <Quelle> <Codec> - <Group>
    Beispiel: The Dark Knight German 2008 AC3 DVDRip XviD - iND
    Beispiel: The Dark Knight 2008 DTS DL BDRip x264 - iND
    Beispiel: The Dark Knight 2008 AC3 DL BDRip XviD - iND
    Beispiel: The Dark Knight German 2008 AC3 720p BluRay x264 iND
    Beispiel: The Dark Knight 2008 DTS DL 1080p BluRay x264 iND
    Beispiel: Die Simpsons S01 German AC3 DVDRip XviD iND
    Beispiel: Die Simpsons S20 German AC3 720p BluRay x264 iND
    Beispiel: Sword Art Online II Ger Sub 2014 AAC 1080p WEBRip x264 - peppermint
    Entsprechend sind also u.a. verboten: Sonderzeichen wie Klammern, Sterne, Ausrufezeichen, Unterstriche, Anführungszeichen / Erweiterungen wie "Tipp", "empfehlenswert", "only", "reup", usw. / jegliche andere Zusatzinformation oder Ergänzung, welche nicht in obiger Beschreibung zu finden ist
    Ausnahmen hiervon können in den Bereichen geregelt sein.

    Die Beiträge sollen wie folgt aufgebaut werden:
    Überschrift entspricht dem Threadtitel
    Cover
    kurze Inhaltsbeschreibung
    Format, Größe, Dauer sind gut lesbar für Downloader außerhalb des Spoilers zu vermerken
    Nfo sind immer Anzugeben und selbige immer im Spoiler in Textform.
    Sind keine Nfo vorhanden z.B. Eigenpublikationen, sind im Spoiler folgende Dateiinformationen zusätzlich anzugeben :
    Quelle
    Video (Auflösung und Bitrate)
    Ton (Sprache, Format und Bitrate der einzelnen Spuren)
    Untertitel (sofern vorhanden)
    Hosterangabe in Textform außerhalb eines Spoiler mit allen enthaltenen Hostern.
    Bei SD kann auf diese zusätzlichen Dateiinformationen verzichtet werden.

    Alle benötigten Passwörter sind, sofern vorhanden, in Textform im Angebot anzugeben.
    Spoiler im Spoiler mit Kommentaren :"Schon Bedankt?" sind unerwünscht.


    Releases

    - Sind Retail-Release verfügbar, sind alle anderen Variationen untersagt. Ausnahmen: Alle deutschen Retail-Release sind CUT, in diesem Fall sind dubbed UNCUT-Release zulässig.
    - Im Serien-Bereich gilt speziell: Wenn ein Retail vor Abschluss einer laufenden Staffel erscheint, darf diese Staffel noch zu Ende gebracht werden.62
    - Gleiche Releases sind unbedingt zusammenzufassen. Das bedeutet, es ist zwingend erforderlich, vor dem Erstellen eines Themas per Suchfunktion zu überprüfen, ob bereits ein Beitrag mit demselben Release besteht. Ist dies der Fall, ist der bereits vorhandene Beitrag zu verwenden.
    - P2P und Scene Releases dürfen nicht verändert oder gar unter einem iND Tag eingestellt werden.


    Support, Diskussionen und Suche

    - Supportanfragen sind entweder per PN oder im Bereich Talk zu stellen.
    - Diskussionen und Bewertungen sind im Talk Bereich zu führen. Fragen an die Uploader haben ausschließlich via PN zu erfolgen, und sind in den Angeboten untersagt.
    - Anfragen zu Upload-Wünschen sind nur im Bereich Suche Video erlaubt. Antworten dürfen nur auf Angebote von MyBoerse.bz verlinkt werden.


    Verbote

    - Untersagt sind mehrere Formate in einem einzigen Angebotsthread, wie beispielsweise das gleichzeitige Anbieten von DivX/XviD, 720p und 1080p in einem Thread. Pro Format, Release und Auflösung ist ein eigener Thread zu eröffnen.
    - Grundsätzlich ebenso verboten sind Dupes. Uploader haben sich an geeigneter Stelle darüber zu informieren, ob es sich bei einem Release um ein Dupe handelt.
    - Gefakte, nur teilweise lauffähige oder unvollständige Angebote sind untersagt. Dies gilt auch für eigene Publikationen, die augenscheinlich nicht selbst von z.B. einer DVD gerippt wurden. Laufende Serien, bei denen noch nicht alle Folgen verfügbar sind, dürfen erstellt und regelmäßig geupdatet werden.
    - Untersagt sind Angebote, welche nur und ausschließlich in einer anderen Sprache als deutsch oder englisch vorliegen. Ausnahmen sind VORHER mit den Moderatoren zu klären.


    Verstoß gegen die Regeln

    - Angebote oder Beiträge, die gegen die Forenregeln verstoßen, sind über den "Melden"-Button im Beitrag zu melden.
  • Bitte registriere dich zunächst um Beiträge zu verfassen und externe Links aufzurufen.




The Art Of Noise: Recording, Processing, And Philosophy

ad-team

MyBoerse.bz Pro Member
f50f627f18ed90f024ef87a1aabd60b6.jpg


The Art Of Noise: Recording, Processing, And Philosophy
Published 5/2024
MP4 | Video: h264, 1920x1080 | Audio: AAC, 44.1 KHz
Language: English​
| Size: 1.86 GB[/center]
| Duration: 1h 25m
Noise Art, Sound Design, Music Production, Philosophy

What you'll learn

Learn to record and transform everyday noises into elaborate artistic soundscapes, enhancing your ability to innovate and think creatively in sound design

Acquire skills to effectively process and manipulate noise samples using digital tools in Ableton Live, focusing on practical processing techniques

Master noise manipulation to create and define your unique sonic signature in music and sound design projects

Engage in real-world projects to apply noise creatively in music production, demonstrating your capability to use noise for artistic and recreational purposes

Requirements

A keen interest in exploring sound and noise beyond traditional music boundaries

Headphones to accurately hear detailed soundscapes during the course

Familiarity with basic concepts of sound and music production

Foundational knowledge of Digital Audio Workstations (DAWs)

Description

Course DescriptionWelcome to The Art of Noise, a wide-ranging investigation into noise in the field of music, directly inspired by Luigi Russolo's landmark work, L'Arte dei Rumori. The course has been designed in a very detailed manner to cater to audiences from beginners and amateurs to professionals and scholars of music. In this course, you will engage in a very profound journey that reshapes one's understanding of noise, its use in music, and even its philosophical implications.What You Will LearnHistorical and Philosophical Context: You can begin by delving into the origins and further development of noise in music. From the controversial place it occupied at its birth in the dawn of the 20th century to its place in modern creations, you will lead the journey noise has had over different eras. For instance, consider the philosophical debates that pertain to noise as an art form, with close reading on theories and writings from avant-garde composers like Luigi Russolo.Recording Techniques Understanding Practical Application: It deals with processing but, besides that, the course prepares you with a basic understanding of recording techniques for noise. That is highly essential knowledge to obtain first-class raw material which further can be changed artistically by digital processing.Learn how to use digital processors: This will be one of the critical features in the practicals of the course, whereby one will learn how to use modern digital processors in noise with Ableton Live 11. You will master essential and advanced techniques using both stock plugins and selected factory plugins. Detailed tutorials will guide you through several types of equalizers, compressors, reverb, and other features, demonstrating effective manipulation and adding effects to a variety of musical scenarios.Creative Applications and Experimentation: The course also provides for putting the theory into practice with the noise processing skills that the course helps you gain to boost your musical projects. It includes several project-based exercises that encourage you to experiment with noise, working on it to provide texture, depth, and an experimental edge to your compositions.Course OutlineTheoretical Component (30%): This work supplies a systematic overview of the historic development of noise together with the philosophical grounds on which it ponders, against which practical applications in this field can be assessed and reviewed.Practical Application (70%): Hands-on exercises focused exclusively on the processing of digital noise-no recording techniques applied-will allow you to perfect the manipulation of noise and its integration into music.Who Should EnrollThis course is open to any individual who has a wider interest in music production, experimental sound design, or those on an academic pathway related to music sciences. It is structured with the idea to give the newbies full apprehension, deep insight, and innovative techniques so that even the most experienced professionals can be inspired by it.Instructor BackgroundConducted by a Music Sciences scholar and music producer specialized in noise, the course ensures tuition by an expert with keenness. The tutor is also actively involved in research and has loads of practical experience from the field. This ensures that students are confident of having a fulfilling learning experience through seamless links between theoretical appreciation and actual practice.OutcomeGraduates of The Art of Noise will take away a strong and well-rounded skill set in noise processing, a deeper appreciation of noise as an artistic and philosophical medium, and will be able to add new, creative applications of these concepts in their music or sound art projects. More importantly, this course seeks to change your way of thinking about noise, where I would like you to think of noise as not only a sound but an artistic tool for you to innovate.Let's change your perspective on noise!

Overview

Section 1: Introduction

Lecture 1 Introduction

Section 2: The History and Philosophy of Noise

Lecture 2 A Concise History of Noise in Music

Lecture 3 Luigi Russolo's Manifestation "The Art of Noise"

Lecture 4 Redefining Noise in the Digital Era

Section 3: Recording Noise

Lecture 5 A Guide to Recording Noise

Section 4: Processing Noise

Lecture 6 Introduction to Digital Sound Processors

Lecture 7 Shaping Tonal Characteristics with EQ

Lecture 8 Sculpting Dynamics with Compressor

Lecture 9 Crafting Spatial Dimensions with Reverb

Lecture 10 Temporal Exploration with Echo

Lecture 11 Layering the Percussive Foundation

Lecture 12 Adding Spice with Distortion

Lecture 13 Approaching Musical Noise

Lecture 14 Harmonizing Noise with Resonator

Section 5: Career Opportunities

Lecture 15 Career Opportunities as a Noise Designer

Anyone with a curiosity about sound design, eager to explore how noise can transform and elevate audio projects, even without professional aspirations,Creatives eager to expand their auditory palette and use noise to craft compelling, unconventional compositions,Professionals or amateurs looking to deepen their understanding of noise as a musical element and incorporate unique soundscapes into their projects,Individuals interested in the technical aspects of sound manipulation and seeking innovative ways to enhance audio production with noise elements,Learners pursuing studies in music production or sound design who want to acquire skills in noise manipulation using digital tools
C7JXrSvD_o.jpg



375727939_katfile.png


Free search engine download: The Art of Noise Recording Processing and Philosophy
 
f50f627f18ed90f024ef87a1aabd60b6.jpg


The Art Of Noise: Recording, Processing, And Philosophy
Published 5/2024
MP4 | Video: h264, 1920x1080 | Audio: AAC, 44.1 KHz
Language: English​
| Size: 1.86 GB[/center]
| Duration: 1h 25m
Noise Art, Sound Design, Music Production, Philosophy

What you'll learn

Learn to record and transform everyday noises into elaborate artistic soundscapes, enhancing your ability to innovate and think creatively in sound design

Acquire skills to effectively process and manipulate noise samples using digital tools in Ableton Live, focusing on practical processing techniques

Master noise manipulation to create and define your unique sonic signature in music and sound design projects

Engage in real-world projects to apply noise creatively in music production, demonstrating your capability to use noise for artistic and recreational purposes

Requirements

A keen interest in exploring sound and noise beyond traditional music boundaries

Headphones to accurately hear detailed soundscapes during the course

Familiarity with basic concepts of sound and music production

Foundational knowledge of Digital Audio Workstations (DAWs)

Description

Course DescriptionWelcome to The Art of Noise, a wide-ranging investigation into noise in the field of music, directly inspired by Luigi Russolo's landmark work, L'Arte dei Rumori. The course has been designed in a very detailed manner to cater to audiences from beginners and amateurs to professionals and scholars of music. In this course, you will engage in a very profound journey that reshapes one's understanding of noise, its use in music, and even its philosophical implications.What You Will LearnHistorical and Philosophical Context: You can begin by delving into the origins and further development of noise in music. From the controversial place it occupied at its birth in the dawn of the 20th century to its place in modern creations, you will lead the journey noise has had over different eras. For instance, consider the philosophical debates that pertain to noise as an art form, with close reading on theories and writings from avant-garde composers like Luigi Russolo.Recording Techniques Understanding Practical Application: It deals with processing but, besides that, the course prepares you with a basic understanding of recording techniques for noise. That is highly essential knowledge to obtain first-class raw material which further can be changed artistically by digital processing.Learn how to use digital processors: This will be one of the critical features in the practicals of the course, whereby one will learn how to use modern digital processors in noise with Ableton Live 11. You will master essential and advanced techniques using both stock plugins and selected factory plugins. Detailed tutorials will guide you through several types of equalizers, compressors, reverb, and other features, demonstrating effective manipulation and adding effects to a variety of musical scenarios.Creative Applications and Experimentation: The course also provides for putting the theory into practice with the noise processing skills that the course helps you gain to boost your musical projects. It includes several project-based exercises that encourage you to experiment with noise, working on it to provide texture, depth, and an experimental edge to your compositions.Course OutlineTheoretical Component (30%): This work supplies a systematic overview of the historic development of noise together with the philosophical grounds on which it ponders, against which practical applications in this field can be assessed and reviewed.Practical Application (70%): Hands-on exercises focused exclusively on the processing of digital noise-no recording techniques applied-will allow you to perfect the manipulation of noise and its integration into music.Who Should EnrollThis course is open to any individual who has a wider interest in music production, experimental sound design, or those on an academic pathway related to music sciences. It is structured with the idea to give the newbies full apprehension, deep insight, and innovative techniques so that even the most experienced professionals can be inspired by it.Instructor BackgroundConducted by a Music Sciences scholar and music producer specialized in noise, the course ensures tuition by an expert with keenness. The tutor is also actively involved in research and has loads of practical experience from the field. This ensures that students are confident of having a fulfilling learning experience through seamless links between theoretical appreciation and actual practice.OutcomeGraduates of The Art of Noise will take away a strong and well-rounded skill set in noise processing, a deeper appreciation of noise as an artistic and philosophical medium, and will be able to add new, creative applications of these concepts in their music or sound art projects. More importantly, this course seeks to change your way of thinking about noise, where I would like you to think of noise as not only a sound but an artistic tool for you to innovate.Let's change your perspective on noise!

Overview

Section 1: Introduction

Lecture 1 Introduction

Section 2: The History and Philosophy of Noise

Lecture 2 A Concise History of Noise in Music

Lecture 3 Luigi Russolo's Manifestation "The Art of Noise"

Lecture 4 Redefining Noise in the Digital Era

Section 3: Recording Noise

Lecture 5 A Guide to Recording Noise

Section 4: Processing Noise

Lecture 6 Introduction to Digital Sound Processors

Lecture 7 Shaping Tonal Characteristics with EQ

Lecture 8 Sculpting Dynamics with Compressor

Lecture 9 Crafting Spatial Dimensions with Reverb

Lecture 10 Temporal Exploration with Echo

Lecture 11 Layering the Percussive Foundation

Lecture 12 Adding Spice with Distortion

Lecture 13 Approaching Musical Noise

Lecture 14 Harmonizing Noise with Resonator

Section 5: Career Opportunities

Lecture 15 Career Opportunities as a Noise Designer

Anyone with a curiosity about sound design, eager to explore how noise can transform and elevate audio projects, even without professional aspirations,Creatives eager to expand their auditory palette and use noise to craft compelling, unconventional compositions,Professionals or amateurs looking to deepen their understanding of noise as a musical element and incorporate unique soundscapes into their projects,Individuals interested in the technical aspects of sound manipulation and seeking innovative ways to enhance audio production with noise elements,Learners pursuing studies in music production or sound design who want to acquire skills in noise manipulation using digital tools
C7JXrSvD_o.jpg



375727939_katfile.png


Free search engine download: The Art of Noise Recording Processing and Philosophy
 
Zurück
Oben Unten